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Design BMW Vision Neue Klasse X 

Next Level X

Auf dem Weg in eine neue Ära: BMW Vision Neue Klasse X 

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Porsche Macan elektrisch

»Nichts ist unantastbar«

Porsche Chefdesigner Michael Mauer im Chapter Interview

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Mit der Lizenz zum Schnellfahren

Die Autos des wohl bekanntesten Geheimagenten der Filmgeschichte

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Automobildesign Mazda mit der Hochschule für Gestaltung in München

Mit Mazda die Zukunft gestalten

Die besten Projekte – Teil 2

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Rolls-Royce Bespoke Phantom ‘Inspired by Cinque Terre’

Automobilkunstwerk

Der Rolls-Royce Phantom »Inspired by Cinque Terre« als Tribut an die Schönheit der italienischen Riviera

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MINI Countryman SE ALL4

New MINImalism

Britische Traditionsmarke präsentiert neue Designsprache mit zwei E-Modellen

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BMW ix2 Details Design

Evolutionen

Neue Modell-Highlights der BMW Elektromobilitätsoffensive

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Polestar 4 Design Silhouette

Innovation ohne Rückblick

Das Design des neuen Polestar 4

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Lexus Marjan van Aubel LF-ZC

Es werde Licht

Eine Neuinterpretation des Lexus LF-ZC Concept Cars

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Mercedes-AMG GLE oupé

Refreshed

Chapter »Road Stories«: Der neue Mercedes-Benz GLE

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BMW Vision Neue Klasse

»Menschliche Kreativität ist schwer zu toppen«

Adrian van Hooydonk, Leiter BMW Group Design, im Interview

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Mercedes-Benz 540 K Spezial-Roadster von 1937

Eldorado der Automobilkultur

Mercedes-Benz glänzt am Pebble Beach

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Chapter Issue №XI »Tastemakers«

Chapter №XI »Tastemakers« – Winter 2024/25

Cover story:
»Sophie Buhai– The Evolution of Good Taste«
Out now – order here.

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»One Out Of Infinity«: Image genesis in exchange »One Out Of Infinity«: Image genesis in exchange and with the means of artificial intelligence. A series of images by @humanartefacts, post production by @rgberlin #chaptermagazine #thedesignjournal
Zeger Reyers performance »Rotating Kitchen« was Zeger Reyers performance »Rotating Kitchen« was realized for the first time in 2009: A large box is installed in an exhibition space containin a complete, fully functional kitchen. After a cook has used the kitchen to serve the guests of the performance sitting in front of her, she leaves the cubic space, whereupon it begins to rotate slowly around an inclined axis, regardless of the disastrous change that this anti-architectural rotation causes to its equipment and the food. The participants experience this with increasing inner turmoil as they gradually witness the inevitable chaos, the pollution and ultimately the partial destruction of their emotionally very familiar environment. Reyers adds an overarching interpretation to this jolting irritation of routine living: »The world as a kitchen«. For him, then, the transformation of our private architectural sphere of life communicates a general process that we cannot stop and that takes no account of human plans, orders or interests. A Sunday read on chapter.digital through link in stories. Images | © Zeger Reyers / Photo: Frank Eppler Installation shot | »Eat Art. On food in art«, Kunstmuseum Stuttgart, 2010
Architect Greta Magnusson Grossmans‘ private hom Architect Greta Magnusson Grossmans‘ private home on Claircrest Drive in Beverly Hills, 1956-57. Read about the unique work of a far-sighted pioneer who shaped American Mid-century design on chapter.digital through link in stories. Text | Sarah Wetzlmayr @sarahannawetzlmayr Images | © Courtesy of the Greta Magnusson Grossman design records and papers located at R & Company, New York #chaptermagazine #thedesignjournal #gretamagnussongrossman #midcenturyhome
»Winding paths«: There is something mystical abo »Winding paths«: There is something mystical about this design process. At least from the perspective of the design consumer. Given the ubiquitous presence of design in our product-filled environment, the endurance of this mystery is remarkable. After all, all consumer products without exception and most capital goods, which are often undervalued in this respect—from ballpoint pens to computer tomographs—are based on a multitude of design decisions and/or concepts. In quantitative terms, design is therefore anything but rare—which doesn’t really give it a good prerequisite for lasting exoticism and unapproachability. Read now on chapter.digital through link in bio. Text | Lutz Fügener Image | © General Motors #chaptermagazine #thedesignjournal #chapterdigital
»Favorite Things«: Just-rightness, the noun of t »Favorite Things«: Just-rightness, the noun of the term just-right is by no means an established, even canonical term—if it exists at all in the field of design science. It appears here and there in texts on the subject of design and in most cases indicates a qualitative value, an adjustment. Just-rightness therefore currently leaves a lot of room for interpretation. One interpretation of the term that crops up from time to time is exciting because it touches on a fundamental question of design in general. It is about dimensional accuracy, about the self-image of design in its position between technology and marketing. Read now on chapter.digital (EN) – link in bio. Text | Lutz Fügener Image | © iF Design, Hannover First published in Chapter №X – »State of the Art« #chaptermagazine #thedesignjournal #chapterdigital #justrightness
»Bench and mark«: In the long and incredibly var »Bench and mark«: In the long and incredibly varied history of the wristwatch, there have always been developments that have set new standards in terms of both technology and design. We take a look at some of the most outstanding models and innovations in watch history. Read now on chapter.digital – Link in bio. #chaptermagazine #thedesignjournal #chapterdigital Text | Max Montre Image | Hermès Cut; Cartier Santos
»I’ve always kind of loved this gray area in be »I’ve always kind of loved this gray area in between different design disciplines. And so I’ve kept that throughout the brand«, says designer Sophie Buhai @sophiebuhai about her work fusion of elements of minimalism and surrealism, that move somewhere between jewelry, utility items and art objects. In conversation with Dzenana Mujadzic @__dzm__ for the cover story of Chapter №XI, titled »Tastemakers«, shot by Bastian Achard @bachard in her studio in Los Angeles. Print issue out now – get you copy through link in bio. #chaptermagazine #thedesignjournal #sophiebuhai
»State of change«: It would actually be much mor »State of change«: It would actually be much more exciting to deal with what happens than with what is. Because that is immediately recognizable, static, defined. In contrast, our world and things are constantly moving and changing. An essay about the »metamorphosis« in art, architecture and design. Read now on chapter.digital – Link in bio. Text | Andreas K. VETTER Image | Rei Naito, »Matrix«, permanent installation Teshima Art Museum, 2010 #chaptermagazine #thedesignjournal #chapterdigital #reinaito
»Museum in motion«: For three decades now, the m »Museum in motion«: For three decades now, the museum in progress @museuminprogress has made it its mission to make contemporary art more democratic and thus accessible to as broad a public as possible. Through its integrative, low-threshold activities at the highest artistic and operational level, the non-profit art initiative transforms media and public spaces into flexible support structures for its projects away from the metaphorically thick walls of traditional cultural institutions. Read now on chapter.digital – Link in bio. Project: Anselm Kiefer, »Solaris (für Stanislaw Lem)«, 2023, »Eiserner Vorhang«, museum in progress, Wiener Staatsoper, 2023/2024 First published in Chapter №X – »State of the Art« #chaptermagazine #thedesignjournal #chapterdigital Text | Dzenana Mujadzic @__dzm__ Credits | Image 1: © museum in progress / Anselm Kiefer, Courtesy: Galerie Thaddaeus Ropac; Image 2: Andreas Scheiblecker, © museum in progress, Courtesy: Galerie Thaddaeus Ropac #chaptermagazine #thedesignjournal #museuminprogress #abselmkiefer #wienerstaatsoper
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MOST READ

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The latest print issue Chapter №XI—»Tastemakers«—is available in magazine stores or as a Digital Issue.

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