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Kunst

Bild von Philippe Starck für Kartell: Louis Ghost, 2002

Das Objekt macht den Menschen

Die Interaktion zwischen Kreativen und Objekt

ArticlesCarouselCHAPTER №XI
Künstlerin Julie Mehretu bei der Arbeit an ihrem BMW Art Car

Rahmen sprengen

Julie Mehretu – Eine monumentale Künstlerin

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Veränderungszustand

Die »Metamorphose« in Kunst, Architektur und Design

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Hokusai Maximus

»Bookshelf«: The (almost) complete Hokusai

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Glamour Brut

Der Baustoff Beton im Laufe der Zeit

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Axel Vervoordt

Von Genie und Harmonie

ArticlesCHAPTER №IXLatest
Werk von Es Devlin, namens "Library of Light", fotografiert von Monica Spezia für den Salone del Mobile 2025

Seismograf der Designkultur

Salone del Mobile Milano 2025 

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Weltbühne

Ein Rückblick auf das Lebenswerk von Gaetana »Gae« Aulenti

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Museum in Bewegung

Kunstinitiative museum in progress

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Case Study

Künstler Lukas Gschwandtner im Interview

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Aus eigenem Antrieb

Das Automobil in der Kunst

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Energiefluss

BMW in Kooperation mit Künstlerin Es Devlin

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Chapter Issue №XI »Tastemakers«

Chapter №XI »Tastemakers« – Winter 2024/25

Cover story:
»Sophie Buhai– The Evolution of Good Taste«
Out now – order here.

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At first glance, the name of the contemporary desi At first glance, the name of the contemporary design gallery Béton Brut @betonbrutlondon in London gives a static impression, but it actually stands for an imperfect rawness that serves as a symbolic starting point for founder Sophie Pearce, from which she brings spaces into clear form and function with intention and instinct—one of the most important pillars of her approach. Read interview now on chapter.digital – link in bio. Images | © Thea Lovstad @theasnevelovstad Text | Dzenana Mujadzic @__dzm__ #chaptermagazine #thedesignjournal #chapterdigital #betonbrutlondon
»The way I make art takes place in discourse with »The way I make art takes place in discourse with other artists and other forms of visual expression—as well as in dialog with the history of abstract painting. I see myself as part of this dialogue«, Julie Mehretu @juliemehretu is keen to emphasize in our Interview for the cover story of Chapter №X—»State of the Art«. Read full story now on chapter.digital—link in bio. Text | Sarah Wetzlmayr @sarahannawetzlmayr Images I »Out of The Dreaming«, 2022-2023, Courtesy Julie Mehretu, White Cube, London & Marian Goodman Gallery; »Black Ground (deep light)«, 2006, Erma Estwick; © Julie Mehretu; Courtesy artist & Marian Goodman Gallery; © Jackie Furtado #chaptermagazine #thedesignjournal #chapterdigital #juliemehretu
Original sketch of the @audemarspiguet Royal Oak b Original sketch of the @audemarspiguet Royal Oak by Gérald Genta, 1970s. Image | ©Audemars Piguet #chaptermagazine #thedesignjournal #geraldgenta
A stay in Palm Springs is always a journey back in A stay in Palm Springs is always a journey back in time—to a place of longing that never ceases to fascinate. Read »A Place in the Sun – Royal Sun Palm Springs« now on chapter.digital – link in bio. Images | © Iris Concept Media #chaptermagazine #thedesignjournal #chapterdigital #RoyalSunPalmSprings
»›Everyone has their own bad taste.‹ In the s »›Everyone has their own bad taste.‹ In the spirit of this statement, we see taste as an attitude, not as a guide to good manners and a lesson to be learned—anything that comes naturally serves this purpose«, say Charlotte Albert and Alexis Lamesta from Necchi Architecture @necchiarchitecture in response to the question of how they define the concept of personal taste and how it influences the balance between individuality and timeless design in their projects. Image | Hotel Chateau d’Eau in Paris, 2023; © Ludovic Balay @ludovicbalay Text | Dzenana Mujadzic @__dzm__ From Chapter №XI – »Tastemakers« – order issue through link in bio. #chaptermagazine #thedesignjournal #chapterdigital
At first glance, the name of the contemporary desi At first glance, the name of the contemporary design gallery Béton Brut @betonbrutlondon in London gives a static impression, but it actually stands for an imperfect rawness that serves as a symbolic starting point for founder Sophie Pearce, from which she brings spaces into clear form and function with intention and instinct—one of the most important pillars of her approach. Read interview now on chapter.digital – link in bio. Images | © Thea Lovstad @theasnevelovstad Text | Dzenana Mujadzic @__dzm__ #chaptermagazine #thedesignjournal #chapterdigital #betonbrutlondon
Good design is known to be defined by more than ju Good design is known to be defined by more than just purely aesthetic aspects; British designer Miminat Shodeinde @miminat, founder of London-based studio Miminat Designs @miminat_designs, conceives flowing spatial structures that create emotional experiences and explore themes such as gravity and water, as well as influences from her Nigerian roots. Read interview now on chapter.digital – Link in bio. Text | Dzenana Mujadzic @__dzm__ Images | © Courtesy of Miminat Designs #chaptermagazine #thedesignjournal #chapterdigital #miminatdesigns
The financial and lifestyle district of Brickell i The financial and lifestyle district of Brickell is often referred to as Miami’s »Manhattan«: The constantly changing cityscape here is characterized by densely packed, ultra-modern high-rise buildings, some designed by internationally renowned architecture studios. The perfect place for Mercedes-Benz to create its own outstanding luxury real estate: Mercedes-Benz Places @mercedesbenzplacesmiami. During the grand opening of the »Sales Gallery«, Chapter was able to get a first impression of the luxurious concept and talk to Gorden Wagener @gorden.wagener, Chief Design Officer of Mercedes-Benz, about the holistic design concept of »Sensual Purity« behind it. Read now on chapter.digital – Link in bio. #chaptermagazine #thedesignjournal #chapterdigital #mercedesbenzplacesmiami
Fishbone chair by Montreal-based @bruisesgallery Fishbone chair by Montreal-based @bruisesgallery Image | © Florence Provencher-Proulx #chaptermagazine #thedesignjournal #bruisesgallery
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The latest print issue Chapter №XI—»Tastemakers«—is available in magazine stores or as a Digital Issue.

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