{"id":10021637,"date":"2025-09-26T13:27:05","date_gmt":"2025-09-26T12:27:05","guid":{"rendered":"https:\/\/chapter.digital\/claiming-spaces\/"},"modified":"2025-09-30T17:21:07","modified_gmt":"2025-09-30T16:21:07","slug":"design-making-space-interior-design-by-women","status":"publish","type":"post","link":"https:\/\/chapter.digital\/en\/design-making-space-interior-design-by-women\/","title":{"rendered":"Claiming Spaces"},"content":{"rendered":"<p class=\"chapter_anleser\">For decades, women have shaped interior design. Yet for a long time, the design of interiors was seen mainly as an extension of unpaid housework. The anthology \u00bbMaking Space\u00ab, newly published by Phaidon, now showcases the work of pioneers, forgotten women designers, and exciting newcomers.<\/p>\n<p class=\"chapter_text\" data-start=\"248\" data-end=\"845\">\u00bbIn 1921, Elsie de Wolfe, the world\u2019s first professional interior decorator, stood before a New York courtroom, suing a client for unpaid services. When the judge asked her to define her profession, she famously replied, \u203aI create beauty\u2039\u00ab\u2014this is how the introduction to \u00bbMaking Space\u00ab begins, a volume that brings together 250 of the most influential female interior <a href=\"https:\/\/chapter.digital\/en\/search-for-clues\/\" target=\"_blank\" rel=\"noopener\">designers<\/a>. Not all the women featured in the book are as well known as Elsie de Wolfe or her colleague Rose Uniacke. Yet the thoughtfully designed volume also gives space to forgotten, lesser-known, and emerging designers.<\/p>\n<p><img decoding=\"async\" class=\" wp-image-10021606 aligncenter\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-500x327.jpg\" alt=\"Female Interior Designer Elsie de Wolfe's Tea House, Planting Fields, Oyster Bay, NY, USA, 1916, from the book Making Space published by Phaidon\" width=\"1329\" height=\"869\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-500x327.jpg 500w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-100x65.jpg 100w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-770x504.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-1024x670.jpg 1024w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-1536x1005.jpg 1536w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe.jpg 2000w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-464x304.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-941x616.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-1571x1028.jpg 1571w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-1320x864.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/076-de-wolfe-1149x752.jpg 1149w\" sizes=\"(max-width: 1329px) 100vw, 1329px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\" style=\"text-align: center;\">Elsie de Wolfe, Tea House, Planting Fields, Oyster Bay, NY, USA, 1916<\/p>\n<p class=\"chapter_text\">\u00bbMaking Space\u00ab shows that while interior design was already in women\u2019s hands at the beginning of the 20th century, it took an astonishingly long time for it to be acknowledged as a field of creative expression. Previously, the prevailing view was: women take care of the interior to best fulfill their household duties. Only gradually was interior design recognized as an independent profession\u2014and no longer merely seen as a hobby or an extension of unpaid housework.<\/p>\n<p><img decoding=\"async\" class=\" wp-image-10021608 aligncenter\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-337x500.jpg\" alt=\"Female Interior Designer Dorothy Draper's Greenbrier Hotel, White Sulphur Springs, WV, USA, 1948, from the book Making Space published by Phaidon\" width=\"1265\" height=\"1877\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-337x500.jpg 337w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-67x100.jpg 67w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-770x1143.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-690x1024.jpg 690w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-464x689.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-941x1397.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-1320x1960.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper-1149x1706.jpg 1149w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/081-draper.jpg 1724w\" sizes=\"(max-width: 1265px) 100vw, 1265px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\" style=\"text-align: center;\">Dorothy Draper, Greenbrier Hotel, White Sulphur Springs, WV, USA, 1948<\/p>\n<p class=\"chapter_text\">The book also points out that many of the early female designers came from privileged backgrounds. Among them was Dorothy Draper, whose electrifying interior design for the Greenbrier Hotel in West Virginia in 1946 featured a bold black-and-white checkerboard floor, turquoise-and-white striped walls, and wallpaper with oversized magenta rhododendrons.<\/p>\n<p><img decoding=\"async\" class=\" wp-image-10021604 aligncenter\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-482x500.jpg\" alt=\"Laura Ashley's design for Artist\u2019s studio featuring the Bloomsbury Room collection, London, UK, 1987, from the book Making Space published by Phaidon\" width=\"1186\" height=\"1230\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-482x500.jpg 482w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-96x100.jpg 96w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-770x798.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-987x1024.jpg 987w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-1481x1536.jpg 1481w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-1975x2048.jpg 1975w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-464x481.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-941x976.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-1571x1629.jpg 1571w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-1320x1369.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley-1149x1192.jpg 1149w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/028-ahsley.jpg 2000w\" sizes=\"(max-width: 1186px) 100vw, 1186px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\" style=\"text-align: center;\">Laura Ashley, Artist\u2019s studio featuring the Bloomsbury Room collection, London, UK, 1987<\/p>\n<p class=\"chapter_text\">The renowned Welsh decorator and textile designer Laura Ashley built a global empire around her identity as a mother and housewife. Her signature floral patterns appeared feminine in a way now considered old-fashioned, yet they concealed another side of her personality\u2014that of a shrewd businesswoman who was both an entrepreneur and a trendsetter.<\/p>\n<p><img decoding=\"async\" class=\" wp-image-10021610 aligncenter\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-500x342.jpg\" alt=\"Female Interior Designer Ana Milena Hern\u00e1ndez Palacios home and studio, near Valencia, Spain, 2023 from the book Making Space published by Phaidon\" width=\"1136\" height=\"777\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-500x342.jpg 500w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-100x68.jpg 100w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-770x526.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-1024x699.jpg 1024w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-1536x1049.jpg 1536w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios.jpg 2000w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-464x317.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-941x643.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-1571x1073.jpg 1571w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-1320x902.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/117-amh-palacios-1149x785.jpg 1149w\" sizes=\"(max-width: 1136px) 100vw, 1136px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\" style=\"text-align: center;\">Ana Milena Hern\u00e1ndez Palacios home and studio, near Valencia, Spain, 2023<\/p>\n<p class=\"chapter_text\">With modernity, interior design also changed in a clearly recognizable way. Although it might seem so in retrospect, not all designers embraced the industrial materials of the Machine Age. It is worth noting that these were primarily materials traditionally associated with notions of masculinity. Eileen Gray&#8217;s soft, comfortable <em data-start=\"562\" data-end=\"578\">Bibendum Chair<\/em> (1926) can be read in this context as a feminist response to the sleek designs of modernism.<\/p>\n<p><img decoding=\"async\" class=\" wp-image-10021612 aligncenter\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-433x500.jpg\" alt=\"Female interior designer Xiang Li's Loong Swim Club, Suzhou, China, 2019, image from the book Making Space published by Phaidon\" width=\"1146\" height=\"1324\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-433x500.jpg 433w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-87x100.jpg 87w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-770x890.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-886x1024.jpg 886w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-1329x1536.jpg 1329w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-1772x2048.jpg 1772w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-464x536.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-941x1088.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-1571x1816.jpg 1571w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-1320x1526.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li-1149x1328.jpg 1149w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/152-xiang-li.jpg 2000w\" sizes=\"(max-width: 1146px) 100vw, 1146px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\" style=\"text-align: center;\">Xiang Li, Loong Swim Club, Suzhou, China, 2019<\/p>\n<p class=\"chapter_text\">In \u00bbMaking Space\u00ab, 250 such stories are told\u2014each unique in its own way. Photographs that clearly show the distinctive design styles of the female designers complement the biographical texts. Both the images and the short biographies illustrate how women have claimed and shaped spaces over decades\u2014and in decisive ways contributed to the recognition of interior design as a profession. Furthermore, \u00bbMaking Space\u00ab makes it clear that interior space is never neutral: it is always shaped by the people who design and inhabit it. <i>[SW]<\/i><\/p>\n<p><img decoding=\"async\" class=\"wp-image-10021616 alignleft\" src=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-430x500.jpg\" alt=\"Book cover for \u00bbMaking Space\u2014Interior Design by Women\u00ab, published by Phaidon, edited by Jane Hall\" width=\"316\" height=\"367\" srcset=\"https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-430x500.jpg 430w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-86x100.jpg 86w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-770x896.jpg 770w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-880x1024.jpg 880w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-1321x1536.jpg 1321w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-1761x2048.jpg 1761w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-464x540.jpg 464w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-941x1094.jpg 941w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-1571x1827.jpg 1571w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-1320x1535.jpg 1320w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3-1149x1336.jpg 1149w, https:\/\/chapter.digital\/wp-content\/uploads\/2025\/09\/9781837290086-3.jpg 2000w\" sizes=\"(max-width: 316px) 100vw, 316px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"chapter_bildunterschrift\">Making Space. Interior Design by Women.<br \/>\nHardcover, 29 cm x 25 cm, 288 pages<br \/>\n<a href=\"https:\/\/www.phaidon.com\/en-eu\/products\/making-space-interior-design-by-women?srsltid=AfmBOori4wPzP_4zEgCcn7tlElCCNp5EnmmcnGW5i4OaWxxsipwArm5N#product-description-accordion\" target=\"_blank\" rel=\"noopener\">phaidon.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For decades, women have shaped interior design. Yet for a long time, the design of interiors was seen mainly as an extension of unpaid housework. The anthology \u00bbMaking Space\u00ab, newly published by Phaidon, now showcases the work of pioneers, forgotten women designers, and exciting newcomers. \u00bbIn 1921, Elsie de Wolfe, the world\u2019s first professional interior decorator, stood before a New York courtroom, suing a client for unpaid services. When the judge asked her to define her profession, she famously replied, [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":10021615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[336,477,348],"tags":[391,340],"class_list":["post-10021637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-interior-design","category-latest","tag-bookshelf-en","tag-interieur-design-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/posts\/10021637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/comments?post=10021637"}],"version-history":[{"count":4,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/posts\/10021637\/revisions"}],"predecessor-version":[{"id":10021646,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/posts\/10021637\/revisions\/10021646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/media\/10021615"}],"wp:attachment":[{"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/media?parent=10021637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/categories?post=10021637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chapter.digital\/en\/wp-json\/wp\/v2\/tags?post=10021637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}